Chapter 3
Part 3
"As I understand it, the laws of New Texas do not extend their ordinary protection to persons engaged in the practice of politics. An act of personal injury against a politician is considered criminal only to the extent that the politician injured has not, by his public acts, deserved the degree of severity with which he has been injured, and the Court of Political Justice is established for the purpose of determining whether or not there has been such an excess of severity in the treatment meted out by the accused to the injured or deceased politician. This gives rise, of course, to some interesting practices; for instance, what is at law a trial of the accused is, in substance, a trial of his victim. But in any case tried in this court, the accused must be a person who has injured or killed a man who is definable as a practicing politician under the government of New Texas.
"Speaking for my government, I must deny that these men should have been tried in this court for the murder of Silas Cumshaw. To do otherwise would establish the principle and precedent that our Ambassador, or any other Ambassador here, is a practicing politician under--mark that well, Your Honor--under the laws and government of New Texas. This would not only make of any Ambassador a permissable target for any marksman who happened to disapprove of the policies of another government, but more serious, it would place the Ambassador and his government in a subordinate position relative to the government of New Texas. This the government of the Solar League simply cannot tolerate, for reasons which it would be insulting to the intelligence of this court to enumerate."
"Mr. Silk," Judge Nelson said gravely. "This court takes full cognizance of the force of your arguments. However, I'd like to know why you permitted this trial to run to this length before entering this objection. Surely you could have made clear the position of your government at the beginning of this trial."
"Your Honor," I said, "had I done so, these defendants would have been released, and the facts behind their crime would have never come to light. I grant that the important function of this court is to determine questions of relative guilt and innocence. We must not lose sight, however, of the fact that the primary function of any court is to determine the truth, and only by the process of the trial of these depraved murderers-for-hire could the real author of the crime be uncovered.
"This was important, both for the government of the Solar League and the government of New Texas. My government now knows who procured the death of Silas Cumshaw, and we will take appropriate action. The government of New Texas has now had spelled out, in letters anyone can read, the fact that this beautiful planet is in truth a _battleground_. Awareness of this may save New Texas from being the scene of a larger and more destructive battle. New Texas also knows who are its enemies, and who can be counted upon to stand as its friends."
"Yes, Mr. Silk. Mr. Vuvuvu, I haven't heard any comment from you.... No comment? Well, we'll have to close the court, to consider this phase of the question."
The black screen slid up, for the second time during the trial. There was silence for a moment, and then the room became a bubbling pot of sound. At least six fights broke out among the spectators within three minutes; the Rangers and court bailiffs were busy restoring order.
Gail Hickock, who had been sitting on the front row of the spectators' seats, came running up while I was still receiving the congratulations of my fellow diplomats.
"Stephen! How _could_ you?" she demanded. "You know what you've done? You've gotten those murdering snakes turned loose!"
Andrew Jackson Hickock left the prosecution table and approached.
"Mr. Silk! You've just secured the freedom of three men who murdered one of my best friends!"
"Colonel Hickock, I believe I knew Silas Cumshaw before you did. He was one of my instructors at Dumbarton Oaks, and I have always had the deepest respect and admiration for him. But he taught me one thing, which you seem to have forgotten since you expatriated yourself--that in the Diplomatic Service, personal feelings don't count. The only thing of importance is the advancement of the policies of the Solar League."
"Silas and I were attachés together, at the old Embassy at Drammool, on Altair II," Colonel Hickock said. What else he might have said was lost in the sudden exclamation as the black screen slid down. In front of Judge Nelson, I saw, there were three pistol-belts, and three pairs of automatics.
"Switchblade Joe Bonney, Jack-High Abe Bonney, Turkey-Buzzard Tom Bonney, together with your counsel, approach the court and hear the verdict," Judge Nelson said.
The three defendants and their lawyer rose. The Bonneys were swaggering and laughing, but for a lawyer whose clients had just emerged from the shadow of the gallows, Sidney was looking remarkably unhappy. He probably had imagination enough to see what would be waiting for him outside.
"It pains me inexpressibly," Judge Nelson said, "to inform you three that this court cannot convict you of the cowardly murder of that learned and honorable old man, Silas Cumshaw, nor can you be brought to trial in any other court on New Texas again for that dastardly crime. Here are your weapons, which must be returned to you. Sort them out yourselves, because I won't dirty my fingers on them. And may you regret and feel shame for your despicable act as long as you live, which I hope won't be more than a few hours."
With that, he used the end of his gavel to push the three belts off the bench and onto the floor at the Bonneys' feet. They stood laughing at him for a few moments, then stopped, picked the belts up, drew the pistols to check magazines and chambers, and then began slapping each others' backs and shouting jubilant congratulations at one another. Sidney's two assistants and some of his friends came up and began pumping Sidney's hands.
"There!" Gail flung at me. "Now look at your masterpiece! Why don't you go up and congratulate him, too?"
And with that, she slapped me across the face. It hurt like the devil; she was a lot stronger than I'd expected.
"In about two minutes," I told her, "you can apologize to me for that, or weep over my corpse. Right now, though, you'd better be getting behind something solid."
CHAPTER XI
I turned and stepped forward to confront the Bonneys, mentally thanking Gail. Up until she'd slapped me, I'd been weak-kneed and dry-mouthed with what I had to do. Now I was just plain angry, and I found that I was thinking a lot more clearly. Jack-High Bonney's wounded left shoulder, I knew, wouldn't keep him from using his gun hand, but his shoulder muscles would be stiff enough to slow his draw. I'd intended saving him until I'd dealt with his brothers. Now, I remembered how he'd gotten that wound in the first place: he'd been the one who'd used the auto-rifle, out at the Hickock ranch. So I changed my plans and moved him up to top priority.
"Hold it!" I yelled at them. "You've been cleared of killing a politician, but you still have killing a Solar League Ambassador to answer for. Now get your hands full of guns, if you don't want to die with them empty!"
The crowd of sympathizers and felicitators simply exploded away from the Bonney brothers. Out of the corner of my eye, I saw Sidney and a fat, blowsy woman with brass-colored hair as they both tried to dive under the friends-of-the-court table at the same place. The Bonney brothers simply stood and stared at me, for an instant, unbelievingly, as I got my thumbs on the release-studs of my belt. Judge Nelson's gavel was hammering, and he was shouting:
"Court-of-Political-Justice-Confederate-Continent-of-New-Texas-is-herewith- adjourned-reconvene-0900-tomorrow. _Hit the floor!_"
"Damn! He means it!" Switchblade Joe Bonney exclaimed.
Then they all reached for their guns. They were still reaching when I pressed the studs and the Krupp-Tattas popped up into my hands, and I swung up my right-hand gun and shot Jack-High through the head. After that, I just let my subconscious take over. I saw gun flames jump out at me from the Bonneys' weapons, and I felt my own pistols leap and writhe in my hands, but I don't believe I was aware of hearing the shots, not even from my own weapons. The whole thing probably lasted five seconds, but it seemed like twenty minutes to me. Then there was nobody shooting at me, and nobody for me to shoot at; the big room was silent, and I was aware that Judge Nelson and his eight associates were rising cautiously from behind the bench.
I holstered my left-hand gun, removed and replaced the magazine of the right-hand gun, then holstered it and reloaded the other one. Hoddy Ringo and Francisco Parros and Commander Stonehenge were on their feet, their pistols drawn, covering the spectators' seats. Colonel Hickock had also drawn a pistol and he was covering Sidney with it, occasionally moving the muzzle to the left to include the z'Srauff Ambassador and his two attachés.
By this time, Nelson and the other eight judges were in their seats, trying to look calm and judicial.
"Your Honor," I said, "I fully realize that no judge likes to have his court turned into a shooting gallery. I can assure you, however, that my action here was not the result of any lack of respect for this court. It was pure necessity. Your Honor can see that: my government could not permit this crime against its Ambassador to pass unpunished."
Judge Nelson nodded solemnly. "Court was adjourned when this little incident happened, Mr. Silk," he said.
He leaned forward and looked to where the three Bonney brothers were making a mess of blood on the floor. "I trust that nobody will construe my unofficial and personal comments here as establishing any legal precedent, and I wouldn't like to see this sort of thing become customary ... but ... you did that all by yourself, with those little beanshooters?... Not bad, not bad at all, Mr. Silk."
I thanked him, then turned to the z'Srauff Ambassador. I didn't bother putting my remarks into Basic. He understood, as well as I did, what I was saying.
"Look, Fido," I told him, "my government is quite well aware of the source from which the orders for the murder of my predecessor came. These men I just killed were only the tools.
"We're going to get the brains behind them, if we have to send every warship we own into the z'Srauff star-cluster and devastate every planet in it. We don't let dogs snap at us. And when they do, we don't kick them, we shoot them!"
That, of course, was not exactly striped-pants diplomatic language. I wondered, for a moment, what Norman Gazarian, the protocol man, would think if he heard an Ambassador calling another Ambassador Fido.
But it seemed to be the kind of language that Mr. Vuvuvu understood. He skinned back his upper lip at me and began snarling and growling. Then he turned on his hind paws and padded angrily down the aisle away from the front of the courtroom.
The spectators around him and above him began barking, baying, yelping at him: "Tie a can to his tail!" "Git for home, Bruno!"
Then somebody yelled, "Hey, look! Even his wrist watch is blushing!"
That was perfectly true. Mr. Gglafrr Ddespttann Vuvuvu's watch-face, normally white, was now glowing a bright ruby-red.
I looked at Stonehenge and found him looking at me. It would be full dark in four or five hours; there ought to be something spectacular to see in the cloudless skies of Capella IV tonight.
Fleet Admiral Sir Rodney Tregaskis would see to that.
_FROM REPORT OF SPACE-COMMANDER STONEHENGE TO SECRETARY OF AGGRESSION, KLÜNG:
... so the measures considered by yourself and Secretary of State Ghopal Singh and Security Coördinator Natalenko, as transmitted to me by Mr. Hoddy Ringo, were not, I am glad to say, needed. Ambassador Silk, alive, handled the thing much better than Ambassador Silk, dead, could possibly have.
... to confirm Sir Rodney Tregaskis' report from the tales of the few survivors, the z'Srauff attack came as the Ambassador had expected. They dropped out of hyperspace about seventy light-minutes outside the Capella system, apparently in complete ignorance of the presence of our fleet.
... have learned the entire fleet consisted of about three hundred spaceships and reports reaching here indicate that no more than twenty got back to z'Srauff Cluster.
... naturally, the whole affair has had a profound influence, an influence to the benefit of the Solar League, on all shades of public opinion.
... as you properly assumed, Mr. Hoddy Ringo is no longer with us. When it became apparent that the Palme-Silk Annexation Treaty would be ratified here, Mr. Ringo immediately saw that his status of diplomatic immunity would automatically terminate. Accordingly, he left this system, embarking from New Austin for Alderbaran IX, mentioning, as he shook hands with me, something about a widow. By a curious coincidence, the richest branch bank in the city was held up by a lone bandit about half an hour before he boarded the space-ship...._
_FINAL MESSAGE OF THE LAST SOLAR AMBASSADOR TO NEW TEXAS STEPHEN SILK
Copies of the Treaty of Annexation, duly ratified by the New Texas Legislature, herewith.
Please note that the guarantees of non-intervention in local political institutions are the very minimum which are acceptable to the people of New Texas. They are especially adamant that there will be no change in their peculiar methods of insuring that their elected and appointed public officials shall be responsible to the electorate.
DEPARTMENT ADDENDUM
_After the ratification of the Palme-Silk treaty, Mr. Silk remained on New Texas, married the daughter of a local rancher there (see file on First Ambassador, Colonel Andrew Jackson Hickock) and is still active in politics on that planet, often in opposition to Solar League policies, which he seems to anticipate with an almost uncanny prescience._
Natalenko re-read the addendum, pursed his thick lips and sighed. There were so many ways he could be using Mr. Stephen Silk....
For example--he looked at the tri-di star-map, both usefully and beautifully decorating his walls--over there, where Hoddy Ringo had gone, near Alderbaran IX.
Those were twin planets, one apparently settled by the equivalent descendants of the Edwards and the other inhabited by the children of a Jukes-Kallikak union. Even the Solar League Ambassadors there had taken the viewpoints of the planets to whom they were accredited, instead of the all-embracing view which their training should have given them....
Curious problem ... and, how would Stephen Silk have handled it?
The Security Coördinator scrawled a note comprehensible only to himself....
Brilliant New Novel from Award-Winning Author of Alien Embassy!
In MIRACLE VISITORS, Ian Watson has created a fascinating novel that explores the UFO phenomenon, a novel that will endlessly intrigue and envelop the reader. $1.95
[Illustration: Book Cover]
Available wherever books are sold, or order by mail from Book Mailing Service, Box 690, Rockville Centre, N.Y. 11571. Please add 50¢ postage and handling. 109
ACE SCIENCE FICTION 360 PARK AVENUE SOUTH · NEW YORK, N.Y. 10010
Zero Population Growth Achieved!
But at what cost? The world now exists with a mandatory abortion law and sexual freedom reigns. Is this truly a world where ... LOVE CONQUERS ALL
$1.95
[Illustration: Book Cover]
Available wherever books are sold, or order by mail from Book Mailing Service, Box 690, Rockville Centre, N.Y. 11571. Please add 50¢ postage and handling. 110
ACE SCIENCE FICTION 360 PARK AVENUE SOUTH ·NEW YORK, N.Y. 10010
Four-Day Planet
Fenris isn't a hell planet, but it's nobody's bargain. With 2,000-hour days and an 8,000-hour year, it alternates blazing heat with killing cold. A planet like that tends to breed a special kind of person: tough enough to stay alive and smart enough to make the best of it. When that kind of person discovers he's being cheated of wealth he's risked his life for, that kind of planet is ripe for revolution.
Lone Star Planet
New Texas: its citizens figure that name about says it all. The Solar League ambassador to the Lone Star Planet has the unenviable task of convincing New Texans that a s'Srauff attack is imminent, and dangerous. Unfortunately it's common knowledge that the s'Srauff are evolved from canine ancestors--and not a Texan alive is about to be scared of a talking dog! But unless he can get them to act, and fast, there won't be a Texan alive, scared or otherwise!
*** END OF THE PROJECT GUTENBERG EBOOK LONE STAR PLANET ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works
1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.